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Slips of Speech : a Helpful Book for Everyone Who Aspires to Correct the Everyday Errors of Speaking by Bechtel, John Hendricks, 1841-

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In all prose composition, avoid such poetic forms as swain, wight, mead, brake, dingle, dell, zephyr.

Foreign Words

The unrestrained use of foreign words, whether from the ancient or from the modern languages, savors of pedantry and affectation. The ripest scholars, in speaking and writing English, make least use of foreign words or phrases. Persons who indulge in their use incur the risk of being charged with a desire to exhibit their linguistic attainments.

On the other hand, occasions arise when the use of words from a foreign tongue by one who is thoroughly _________________________________________________________________

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familiar with them, will add both grace and exactness to his style.

Rarely use a foreign term when your meaning can be as well expressed in English. Instead of blase, use surfeited, or wearied; for cortege use procession for couleur de rose, rose-color; for dejeuner, breakfast; for employe, employee; for en route, on the way; for entre nous, between ourselves; for fait accompli, an accomplished fact; for in toto, wholly, entirely; for penchant, inclination; for raison d'etre, reason for existence; for recherche, choice, refined; for role, part; for soiree dansante, an evening dancing party; for sub rosa, secretly, etc.

The following incident from the Detroit Free Press is in point:

The gentleman from the West pulled his chair up to the hotel table, tucked his napkin under his chin, picked up the bill-of-fare and began to study it intently. Everything was in restaurant French, and he didn't like it.

"Here, waiter," he said, sternly, "there's nothing on this I want."

"Ain't there nothin' else you would like for dinner, sir?" inquired the waiter, politely.

"Have you got any sine qua non?"

The waiter gasped.

"No, sir," he replied. _________________________________________________________________

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"Got any bon mots?"

"N-- no, sir."

"Got any semper idem?"

"No, sir, we hain't."

"Got any jeu d'esprits?"

"No, sir; not a one."

"Got any tempus fugit?"

"I reckon not, sir."

"Got any soiree dansante?"

"No, sir."

The waiter was edging off.

"Got any sine die?"

"We hain't, sir."

"Got any e pluribus unum?"

The waiter's face showed some sign of intelligence.

"Seems like I heard ob dat, sir," and he rushed out to the kitchen, only to return empty-handed.

"We ain't got none, sir," he said, in a tone of disappointment.

"Got any mal de mer?"

"N-- no, sir."

The waiter was going to pieces fast.

The gentleman from the West, was as serene as a May morning.

"Got any vice versa?" he inquired again.

The waiter could only shake his head. _________________________________________________________________

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"No? Well, maybe you've got some bacon and cabbage, and a corn dodger?"

"'Deed we have, sir," exclaimed the waiter, in a tone of the utmost relief, and he fairly flew out to the kitchen.

Trite Expressions

Words and phrases which may once have been striking and effective, or witty and felicitous, but which have become worn out by oft-repeated use, should be avoided. The following hackneyed phrases will serve to illustrate: "The staff of life," "gave up the ship," "counterfeit presentment," "the hymeneal altar," "bold as a lion," "throw cold water upon," "the rose upon the cheek," "lords of creation," "the weaker sex," "the better half," "the rising generation," "tripping the light fantastic toe," "the cup that cheers but does not inebriate," "in the arms of Morpheus," "the debt of nature," "the bourne whence no traveler returns," "to shuffle off this mortal coil," "the devouring element," "a brow of alabaster."

Pet Words